Saturday we went to see the Münich Residenz, which served as a home to the Wittelsbach dynasty until 1918. Different parts of the Residenz were built at different times from 1385 and onward. The place is huge, and there are three main different areas that visitors can get tickets to see the inside and history of the Residenz. There is the Schatzkammer (Treasury), which houses the "crown jewels" so to speak of the Wittelsbach dynasty, the Residenz Museum, in which visitors can tour many of the bedrooms, halls, and other rooms of the palace, and the
Cuvilliés-Theater. The pass we bought for seeing Baveria covered all three, so we saw them all.
We visited the Schatzkammer first. This turned out to be our favorite area. It was full of beautifully fashioned valuables. There were all sorts of jewel encrusted items from crowns and swords to combs and vessels. There were amazing works of art created entirely from precious and semi-precious stones, gold, silver, and other such costly material.

One such piece was the statuette of St. George slaying the dragon made in around 1590 from gold, enamel, silver-gilt,
diamonds, rubies,
emeralds, opals, agate, chalcedony,
pearls, rock crystal,
and other precious stone. It was made to adorn the box housing a relic of St. George. The visor of the knight can be raised and lowered, and the face of the knight, which was carved from boxwood, resembles that of Duke
Wilhelm V, who was the one commissioning the piece.
Below is the most valuable table in the collection. The image in the middle is all cut out of precious stones and pieced together to create a scene after the fashion of a painting.
 |
| Crown of an English queen - the "Bohemian" or "Palatine" crown ~ 1370-80 |
The locket below has tiny intricately carved religious scenes inside. Such lockets were originally made so that those possessing them could use them for worship while traveling. Over time though, they became valued collectors items for the wealthy.
This cross is made from rock crystal (rock that is clear and looks like crystal).
This queen's crown was really beautiful. The picture just doesn't do it justice. It was made using diamonds & rubies:
After seeing the Schatzkammer, we headed over to the Residenz Museum.
The hall below is call the Antiquarium, and it is the oldest room of the Residenz. It got its name because it was built from 1568 to 1571 to house Duke Albrecht V's collection of antique sculptures. It is also said to be the most lavish Renaissance interior north of the Alps. The wall paintings were done at the time that the hall was remodeled as a banqueting hall from 1581 to 1600. The paintings around the windows depict 102 views of towns, markets and palaces in what was the Duchy of Bavaria at the time, while the ceiling paintings show allegories of Fame and Virtue.
Below is the
Hofkapelle (Court Chapel), which was completed in 1630. The main painting was created by Hans Werl in 1600
.
Below is the Reiche Kapelle (Ornate Chapel), which was dedicated in 1607 for the private worship of Duke Maximilian I and his wife. The Duke also kept his collection of precious relics here in the chapel.
Many rooms had paintings on the ceilings, although many also were missing their ceiling paintings since they were destroyed in WWII. A lot of rooms also had large tapestries hanging on their walls,
such as this room, which I think was one of the
Vierschimmelsaal (Grey Rooms) where the emperor took his meals while staying at the Residenz.
A number of rooms had little ledges built into the stucco and carved wall decorations, upon which sat a variety of vases. While this created an interesting decorative effect that we thought was cool, I am not at all jealous of those in charge of cleaning an dusting all those vases and ledges.
Below is the
Miniaturenkabinett (Cabinet of Miniatures), the last of the
Reiche Zimmer (Ornate rooms). It is filled with exceptionally ornate gilded carvings (most of which had to be re-constructed after they were destroyed during WWII), and the wall is covered with miniature Dutch, German, and French paintings. We found the chandelier particularly interesting, as it is composed entirely of little figures.
This hall was full of portraits of members of the royal family:
The Residenz was huge and took a very long time to walk through. It just seemed to keep going and going! After seeing the Residenz Museum we visited the
Cuvilliés-Theater, which was built under the direction of Elector Maximilian
Joseph III from 1751-55 in Bavarian Rococo style. The theater was originally reserved exclusively for members of the court.
To see the 360 picture of the theater Nate took (like the one of the Grey Room), you can
go here.
The courtyard area just outside the theater made everything inside echo like crazy, which Austin particularly enjoyed.
The monument in the middle of the Max-Joseph-Platz seen below is of Maximilian I Joseph. It was put up after his death since he opposed it, believing that it didn't show him in enough majesty. The pillared building on the left is the National Theater/National Opera building.
After seeing the Residenz, it was pretty late. We had some snacks, but we were all hungry. I was surprised Austin was holding up as well as he was. After considering our parking situation,we decided to drive to a different area and then find something to eat. Our GPS said there was a Subway in the Marienplatz are, which is where we were heading. This sounded particularly good to us at the time. However, when we got there, we couldn't find it.
We ended up at a Burger King, thinking it would be fast and not too expensive. I don't know about the "not too expensive" part, but it was fast. The strangest part about it though was the bathrooms. To reach the bathroom, you had to walk downstairs, and a man sat at the bottom of the stairs in front of the bathrooms talking away on a cell phone with a table and paper towels in front of him. There was also a little plate there with a couple coins on it. I wasn't sure what he was there for until I came out to wash my hands. I had barely turned the water on when he rushed over to me and handed me a paper towel. I set it down since I didn't need it yet, finished washing, dried my hands, and went to leave. At that point the man requested some sort of tip. I didn't have any change, so I indicated as much to him and left. I was rather baffled though. The bathrooms themselves were nothing special. They were sort of dirty, and the floors were sticky. I have never seen a bathroom before in which you are supposed to pay someone a tip for using it, and I hardly felt inclined to do so anyway to someone who didn't seem to be doing much of anything besides talking on a phone. It was all the more strange to me since no one tips here in general. The restaurants we have been to don't take tips, and we haven't been anywhere else where tips were encouraged or sought after.
Of course we wandered around the Marienplaz to see as much as we could in the short time we had. It was a beautiful day, and the streets were bustling with activity. Unfortunately, most of the historic points of interest to see were closed since it was after four, so we had to content ourselves with viewing the historic buildings from the outside.
Here are Austin and I on Kaufingerstraße in front of the Neues Rathaus:

The Neues Rathaus was built from 1867 to 1909. It is an elaborately ornamented building with a tower holding the fourth largest chiming clock in Europe. There are copper figures on the tower that dance in two scenes, but they only do so a couple times a day. Unfortunately, we were not there when they performed. One of the scenes is of a knight tournament in honor of Duke Wilhelm V and Renata of Lortharingia's wedding. (The German knights always win the tournament.) The other scene depicts the Schäfflertanz, or Dance of the coopers, which is still performed in the streets of Munich every seven years to commemorate the passing of the plague of 1515-17.
We also saw a guy dressed up and painted to look like a statue talking and playing around with kids in the middle of the Marienplaz.
We also went by the Frauenkirche, the largest Gothic building in southern Germany. This is one of the best known symbols of München, and by law no new building is allowed to be built that would obscured the the of the church with its two iconic towers. Obviously they were doing some work on it while we were there.
There were many souvenir shops in this area, and we stopped by one before heading back home. Austin couldn't take his eyes off the little section of toy cars in the shop. He watched someone else pick one of them up to look at them and broke down in tears when we told him that he couldn't also pick up and play with the cars.